Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.   Related Paintings of Andrea del Verrocchio :. | Halfte second women head | Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia | Madonna with Child, | Tobias und der Engel | Equestrian Statue of Bartolomeo Colleoni |
Related Artists:
Christian Gullager
Christian Gullager (1759-1826) was an artist specializing in portraits and theatrical scenery in the late 18th century; he worked in Boston, Massachusetts, New York, and Philadelphia. Born in Copenhagen, he trained at the Royal Danish Academy of Fine Arts. In America, portrait subjects included president George Washington. He designed scenery for Boston's Federal Street Theatre.
Leon Bakst
Russian Art Deco Designer and Illustrator, 1866-1924
Charles Martin
Charles Martin (1884-1934) was a French artist and illustrator.